The latter looked very pale, either from the effect of his wound, which was not yet entirely healed, or from suppressed emotion,—partly, perhaps, from both causes,—and wore his left arm in a sling. Wood the carpenter. His tone was rough, almost threatening. There’s the internal factor as well as the external. The south or principal front, looking, down the Old Bailey, and not upon it, as is the case of the present structure, with its massive walls of roughened freestone,—in some places darkened by the smoke, in others blanched, by exposure to the weather,—its heavy projecting cornice, its unglazed doubly-grated windows, its gloomy porch decorated with fetters, and defended by an enormous iron door, had a stern and striking effect.
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