“I’m being honest with you. And I have wanted to so very much. It was never intended that I should marry Monsieur Valade, but after the tragedy—’ her eyes darkening in genuine distress ‘—and that he was the only survivor, he came to me in the convent and married me, and brought me to England. But before the Grieg concerto was done, she knew that she was free. Then one old crone, short-sighted and shaky-handed, called Ann Veronica “dearie,” and made some remark, obscure and slangy, of which the spirit rather than the words penetrated to her understanding. Get it off your soul. The real tragedy—which he sensed and toward which he was always reaching—eluded all his verbal skill.
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