” CHAPTER THE TWELFTH ANN VERONICA PUTS THINGS IN ORDER Part 1 Ann Veronica made a strenuous attempt to carry out her good resolutions. ” He got up and went to the guest room door and locked it. I've a shrewd guess where he's taken refuge; but I'll ferret him out. A door led to the inner room; and it was evident from the peals of merriment, and other noises, that, ever and anon, resounded from within, that this chamber was occupied by the Marquis and his friends. When he comes he will do that raid of the pantechnicons the justice it deserves; he will picture the orderly evening scene about the Imperial Legislature in convincing detail, the coming and going of cabs and motor-cabs and broughams through the chill, damp evening into New Palace Yard, the reinforced but untroubled and unsuspecting police about the entries of those great buildings whose square and panelled Victorian Gothic streams up from the glare of the lamps into the murkiness of the night; Big Ben shining overhead, an unassailable beacon, and the incidental traffic of Westminster, cabs, carts, and glowing omnibuses going to and from the bridge. And it has been well for you that he imagines the child was drowned. Among his books, Plutarch's Lives, and the Histories of Great Commanders, appeared to have been frequently consulted; but the dust had gathered thickly upon the Carpenter's Manual, and a Treatise on Trigonometry and Geometry. But a far greater affliction was in store for her. However, if I've lost one servant, I've gained another, that's one comfort. He seemed to be thinking hard. I went to the theatre that night. “Leave them!” He yelled. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare.
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